Dear friends of the Museum for Islamic Art,

We would like to invite you to 2 calligraphy workshops. Get to know the fascinating art of Sini calligraphy, a synthesis of Arabic and Chinese writing traditions. Try out for yourself the difference between brush and qalam!
The 3-hour workshop begins with a guided tour of the exhibition. The artist Haji Noor Deen himself will talk about his working methods and present his works. In the following practical part, caligraphies will be created which can be taken home.

Friday, 07.07.2023, 16-19 pm, Pergamon Museum
Saturday, 08.07.2023, 10am -13 pm, Pergamon Museum
Per date: 15 participants
Free of charge. No previous experience necessary.

Registration is required at isl@smb.spk-berlin.de Please let us know on which day you would like to participate.

About the exhibition

With Brush and Qalam / Chinese Arabic Calligraphy by Haji Noor Deen
06.07.2023 to 22.10.2023, Pergamon Museum

With the solo exhibition of the most important contemporary representative of Sini calligraphy, the Museum for Islamic Art is showing selected works by Haji Noor Deen in Berlin for the first time. Sini calligraphy is the artistic script used by the Muslim minority in China. Its history reaches back to the 14th century. The distinctive feature of Sini calligraphy is the melding of techniques and styles from the Arabic and Chinese lettering traditions.

Arabic calligraphy follows a centuries-old tradition involving strict rules with precisely defined proportions for the letters. Sini calligraphy, on the other hand, is completely free of rules. The top priority is the perceived beauty and balance of the composition. Even the direction of the writing can be freely chosen, either from top to bottom, as in Chinese, or from right to left, as in Arabic.

Haji Noor Deen is a master of Sini calligraphy. Inspired by calligraphic traditions from China to Istanbul, the artist creates works with expressive lines that at first glance appear Chinese, but on closer inspection go far beyond that.

The artist’s painting tools reflect this diversity. Haji Noor Deen paints the Arabic letters with a brush that is characteristically used for Chinese calligraphy. He equally appreciates the qalam, the reed pen of Arabic calligraphy. He also uses completely new tools, such as cloth-covered wooden spatulas that he produces himself. With masterly skill, he creates artworks of great aesthetic power that surprise and affect the viewer.

The artist

Born in 1963 in the Chinese province of Shangdong, Haji Noor Deen has spent decades perfecting his art and developing a sophisticated system of Chinese-Arabic calligraphy that combines Chinese aesthetics with Arabic script. In 1997, he became the first Chinese artist in Egypt to receive a certificate in Arabic calligraphy. Later, in 2017, he was honoured with the Ijazah Certificate from the Ottoman Calligraphy School in Turkey. His work has been exhibited in over 20 countries and can be found in museum collections around the world, including the British Museum, San Francisco Asian Museum, National Museum of Scotland and Harvard University Art Museum.

Mit herzlichen Grüßen Ihr Vorstand

Irene Fellmann     Peter Heine     Nadia Nagie     Katja Şıdım     Cornelia Weber    Stefan Weber